DESTROYER with THE WAR ON DRUGS at the Pike Room

doors at 8PM
tickets: $12 in advance / $14 day of (buy tickets)


Dan Bejar started DESTROYER as a solo home-recording project in the early to mid-nineties. In 1996, he released his debut full length of stripped-down, lo-fi electric folk, We'll Build Them a Golden Bridge. Soon the Destroyer template expanded to include a rhythm section, and Bejar was compelled to head into a proper studio to record City of Daughters in 1998. It was with Daughters that Bejar began to develop his own unique lyrical voice, a voice that continued to evolve and refine itself over the course of his next two records, Thief and Streethawk: A Seduction. Destroyer seemingly had produced its masterwork with Streethawk, a highly refined send-up and condemnation of popular culture, an idea honed to razor-sharp precision. The album became one of the most acclaimed recordings of 2001, and the Destroyer mystique captured music fans and critics alike. Over the course of his career as Destroyer, Dan Bejar has established himself and his band as one of the most unpredictable success stories in modern, popular music. As a songwriter, Bejar (also of the New Pornographers) is recognized as having few peers. As a musician, he is like the court jester, waiting in the wings, poking fun at those who take themselves too seriously and skewering those who would celebrate commerce as art.

These are some of the themes alluded to or avoided in the album Kaputt:

Kaputt by Malaparte, which Bejar has never read... Kara Walker, specifically the lyrics she contributed to the song "Suicide Demo for Kara Walker"... Chinatown, the neighborhood bordering on Bejar's... Baby blue eyes... 80s Miles Davis... 90s Gil Evans... Last Tango in Paris... Nic Bragg, who played lead guitar on every song, again... Fretless bass... The hopelessness of the future of music... The pointlessness of writing songs for today... V-Drums... The superiority of poetry and plays... And what's to become of film?... The Cocaine Addict... American Communism... Downtown, the neighborhood bordering on Bejar's... The LinnDrum... Avalon and, more specifically, Boys and Girls... The devastated mind of JC/DC, who recorded, produced and mixed this record from fall of 2008 to spring of 2010... The back-up vocals of certain Roy Ayers and Long John Baldry tours... Merry Christmas, Mr. Lawrence...



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