ICED EARTH with WARBRINGER at the Crofoot Ballroom

FRIDAY MARCH 16, 2012
doors at 7pm
tickets: $20 ADV; $22 DOS (buy tickets)

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ICED EARTH:


The magical nexus of art and life – the knife’s edge where raw artistic passion meets focused creative expression – is the space all serious musicians seek…but few find.

On DYSTOPIA, the new album from American metal icons ICED EARTH, Jon Schaffer found that space. And made it his own.

In much the same way HORROW SHOW (ICED EARTH’s tribute to classic characters from literature and movies) was born, Schaffer’s interest in dystopian themes in literature and movies led him to try his hand at that genre as well – even paying homage on the new album to the movies Dark City, V For Vendetta, and Soylent Green.

Add a pinch of Orwell (“If you want a picture of the future, imagine a boot stamping on a human face — forever”), a soupcon of Blade Runner, and a smattering of headlines from around the world and – voila! – you get DYSTOPIA…perhaps ICED EARTH’s heaviest and most menacing album to date.

A blistering 10-song tour-de-force that explores the nightmarish Orwellian world of the future (or is it the present?), DYSTOPIA runs the gamut of poignant ballads, bone-crushing riffs, stratospheric vocals, and chilling lyrics. It is a soul-searing album not for the faint of heart.

Of special interest to long-time fans of the band are two songs on DYSTOPIA (the title track and “Tragedy and Triumph”) that feature the return of the “Something Wicked” storyline and “Set Abominae” – who, when last seen in THE CRUCIBLE OF MAN (2008), had taken his position as ruler of the world.

Now armed with the dynamic vocal range of vocalist Stu Block (fresh from his success with prog-metal favorites INTO ETERNITY), and a renewed passion he hasn’t felt for many years, Schaffer forged an album that cannot be ignored.

It is an album whose time has come...

...and a massive world tour you won't want to miss.







WARBRINGER:


In music, there are leaders and there are followers. For every blistering riff there is an imitator, for each impassioned bellow, a sound-alike. It is the challenge of the modern musician to take the finite set of notes upon which all music is built, and make it their own. WARBRINGER did not invent their own vein of metal. They were preceded by greats like Slayer, Exodus, Testament, Anthrax and the almighty Metallica – but over the course of their previous two albums, they have managed to construct songs that are equal parts ferocity and finesse, and in doing so, created a sound that is distinctly their own. With the release of Worlds Torn Asunder, WARBRINGER are poised to take their rightful place at the table alongside the big boys.

 

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